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Hayes' utterance of the word "damn" made this the first #1 song on the Billboard Hot 100 pop singles chart to include a curse word. # 81;

The arrangement was by Hayes and Johnny Allen.

# 34; Später im selben Jahr spielte Hayes das Shaft Theme live im Musikfestival Wattstax.

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Watch the music video and discover trivia about this classic Pop song now. the classic theme song to Shaft, as performed by Isaac Hayes # 48; "Theme from Shaft", written and recorded by Isaac Hayes in 1971, is the soul and funk-styled theme song to the Metro-Goldwyn-Mayer film Shaft.

also uttered by Hayes, and "He's a complicated man/but no one understands him/but his woman/John Shaft."

"[9], Later that year, Hayes performed "Theme from Shaft" live at the Wattstax concert in Los Angeles. A version by Eddy & The Soul Band was a #13 hit in the UK Singles Chart in 1985. When John Singleton directed an updated version of Shaft in 2000, starring Samuel L. Jackson, Hayes re-recorded the theme for the new film.

The opening sixteenth-note hi-hat ride pattern, played by Willie Hall, was drawn from a break on Otis Redding's "Try a Little Tenderness", a Stax record on which Hayes had played. Hayes, who also had no acting experience, never got the chance to audition, but kept his end of the deal anyway.

1979. Sort. [8] Guitarist Charles Pitts' wah-wah effect was common in 1970s funk; the riff had originally been written for an unfinished Stax song. [4] Der Song nahm in den 1970er Jahren stark Einfluss auf die Disco- und Soul-Musik.

# 21; Theme from Shaft", https://en.wikipedia.org/w/index.php?title=Theme_from_Shaft&oldid=983038999, Creative Commons Attribution-ShareAlike License, The song has been played or parodied in television shows, including, Another Burger King commercial from 2002 promoted the Shaq Pack, where the lyrics alluded to, Since very early in the 1970s, the Swedish national television network, Also since the early 1970s, the Canadian Broadcasting Corporation's radio current affairs show, An instrumental version of the song served as the news theme for Memphis television station, In Australia, an edited instrumental version was used as the theme for "Seven's Big League".

Other well-known passages include "You're damn right!"

Quincy Jones got in there and argued my case; saying that, even if I didn't physically write it down, they were my ideas. 1975 # 65; # 51;

French musician Malik Adouane recorded an, This page was last edited on 11 October 2020, at 21:43. "Theme from Shaft" Track Info Written By Isaac Hayes

Es ist ein Soundtrack zum Film Shaft und ist deshalb auch auf dem gleichnamigen Soundtrackalbum enthalten.

# 74; French musician Malik Adouane recorded an, This page was last edited on 11 October 2020, at 21:43. Das Arrangement stammt von Hayes und Johnny Allen. Bowman, Rob and Chuck D (2004).

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"Theme from Shaft" went to number two on the Billboard Soul Singles chart (behind "Inner City Blues (Make Me Wanna Holler)" by Marvin Gaye) and to number one on the Billboard Hot 100in the United States in Nove… The song was also well received by adult audiences, reaching number six on Billboard's Easy Listening chart. Comment below with facts and … [5], Später im selben Jahr spielte Hayes das Shaft Theme live im Musikfestival Wattstax.

[3] The song is considered by some to be one of the first disco songs.[4][5]. # 12; Even on the edited single version, the intro lasts for more than one and a half minutes before any vocals are heard.

Order . Audio commentary track for, Isaac Hayes winning an Oscar® for "Shaft", The Adventures of Jimmy Neutron: Boy Genius, List of Billboard Hot 100 number-one singles of 1971, "The Greatest Songs Ever! # 54; As late as 1990, censors at the Fox Network thought it too risqué to be sung on The Simpsons (until it was pointed out that the song had been played on television before).

[1] The song had an enormous influence on the disco and soul music of the decade. ▼  Select Chart Below # 4; Within two months, it hit #1 on the Billboard Hot 100 and stayed there a second week.

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# 69; auch von Hayes gesungen wie: "He's a complicated man/but no one understands him/but his woman/John Shaft."

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[8], In 1972, Hayes performed "Theme from Shaft" as part of the Academy Awards ceremony in his signature chain mail vest, but accepted the Academy Award for Best Original Song later that night wearing a tuxedo.

They tested me by giving me the opening scene – footage of Shaft coming out of the subway – to take away and see how I got on. Top 100 ChartsRock & Roll ChartsR&B ChartsCountry ChartsBrazil Charts # 97;

Theme from Shaft (auch Shaft Theme) ist ein Instrumental von Isaac Hayes aus dem Jahr 1971, das von ihm geschrieben und produziert wurde.

In 1971 the #6 song in the charts was Theme From 'Shaft' by Isaac Hayes.

The theme was released as a single (shortened and edited from the longer album version) two months after the movie's soundtrack by Stax Records' Enterprise label.

 

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Diese Seite wurde zuletzt am 31.

# 1; # 87; [6] It peaked at #4 in the UK Singles Chart.

# 20; 1974 # 59; A 2003 remastered version of the Wattstax film reinstates Hayes' performance of "Theme from Shaft".[12].

# 18; The female chorus' hushed “shut your mouth” as stylized censorship has become a trope that has been recreated time and time again based on the enduring popularity of Shaft’s theme song. [6] He dedicated his historic win to his grandmother, Rushia Wade, who joined him onstage as he accepted the award. The following year, "Theme from Shaft" won the Academy Award for Best Original Song,[1] with Hayes becoming the first African American to win that honor – or any Academy Award in a non-acting category – as well as the first recipient of the award who both wrote and performed the winning song. Since then, the song has appeared in numerous television shows, commercials, and other movies, including the 2000 sequel Shaft, for which Hayes re-recorded the song. # 67; Within two months, it hit #1 on the Billboard Hot 100 and stayed there a second week.

# 71; Then I got our drummer to play 16-note sequences on the hi-hat and we had it. The song was considered very racy for its time. [2] Regisseur Gordon Parks stellte an Hayes zum Soundtrack die Anforderung, dass er auf den Protagonisten John Shaft (die Zeile "the "Who's the black private dick, That's a sex machine to all the chicks?" 1973 “Theme from Shaft” with its immediately recognizable melody and percussive female background vocals became not just a career defining song for Isaac Hayes, but representative of blaxploitation films like Shaft. # 44;

# 36; "Theme from Shaft" went to number two on the Billboard Soul Singles chart (behind "Inner City Blues (Make Me Wanna Holler)" by Marvin Gaye) and to number one on the Billboard Hot 100[2] in the United States in November 1971.

Audio commentary track for, Isaac Hayes winning an Oscar® for "Shaft", The Adventures of Jimmy Neutron: Boy Genius, List of Billboard Hot 100 number-one singles of 1971, "The Greatest Songs Ever! I remembered a guitar line I had in a tune I'd never used, got it off the shelf and had our guitarist play it exactly the same, but with a wah-wah. # 10;

Die stark reduzierten Textzeilen definieren John Shafts Coolnes, Mut und Sexappeal, die von Isaac Hayes gesungen wurden, dabei sind zwischendurch die Backgroundsängerinnen zuhören.

The core rhythm for the tune, the springboard for the whole soundtrack, we'd cut in under two hours."[9]. [1] The theme was released as a single (shortened and edited from the longer album version) two months after the movie's soundtrack by Stax Records' Enterprise label. The song was considered very racy for its time.

A 2003 remastered version of the Wattstax film reinstates Hayes' performance of "Theme from Shaft".[12].

A version by Eddy & The Soul Band was a #13 hit in the UK Singles Chart in 1985.

# 25; # 7; This was after the Academy tried to disqualify it, too, saying, because I can't write music, it wasn't my composition.

# 70; [12] Film footage of this performance was recorded for Mel Stuart's documentary film of the concert, but was cut before the film's release due to legal complications with MGM, who would not allow Hayes to perform his Shaft songs in any other film until 1976. [11] Following the Academy Awards, Hayes, the Rev. Pop

# 64; # 88; # 93; [6] He dedicated his historic win to his grandmother, Rushia Wade, who joined him onstage as he accepted the award. 1978 # 39; [2] Danach folgte das von Charles Pitts gespielte Gitarrensolo, in dem der Dämpfer-Effekt nach Art des Funks in den 1970er Jahren inbegriffen ist; der ursprünglich für einen anderen Song gedacht war. [11] "When it hit so big I was in severe disbelief ..." he later reflected. Isaac Hayes became the first African American to receive a non-acting Oscar when he won the Academy Award for Best Original Song. # 8; [1] The theme was released as a single (shortened and edited from the longer album version) two months after the movie's soundtrack by Stax Records' Enterprise label.

[8], "As this was my first such undertaking, at the initial meeting I had with the producer and director in New York you could see the anxiety on their faces. # 57; # 40; The song is often referenced or interpolated whenever 1970’s Black films are parodied as on movies like I’m Gonna Git You Sucka and UHF as well as TV series like The Simpsons, The X-Files, and even Sesame Street.

Hayes nahm erst den instrumentellen Part auf und sang kurz vorm Ende mit den Backgroundsängerinnen die reduzierten Textpassagen.[2].

# 19; Name. # 5;

# 46; What Was #1 Country Song on your Birthday?

Die Veröffentlichung war am 30. "Theme from Shaft", written and recorded by Isaac Hayes in 1971, is the soul and funk-styled theme song to the Metro-Goldwyn-Mayer film Shaft.

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# 24; # 3; Shaft is a 1971 American crime action film directed by Gordon Parks and written by Ernest Tidyman and John D. F. Black.It is an adaptation of Tidyman's novel of the same name and it's the first entry in the Shaft film series.The plot revolves around a private detective named John Shaft who is hired by a Harlem mobster to rescue his daughter from the Italian mobsters who kidnapped her. "Then when it won an Academy Award — it won Best Song, but the album was also nominated for Best Soundtrack — I was in a state of shock. # 14; # 32; [11] "When it hit so big I was in severe disbelief ..." he later reflected. # 45;

# 58; (deutsch: Er ist ein komplizierter Mann, den Niemand versteht außer seiner Frau/John Shaft; letzteres nach Bindestrich gesungen von den Backgroundsängerinnen) machte das Lied in den Billboard Hot 100 zum ersten Song, das ein Schimpfwort enthält. # 16; # 56; # 78; Bei der Oscarverleihung 1972 gewann das Shaft Theme in der Kategorie Bester Song, dabei trug Hayes statt seinen Markenzeichen, dem Kettenhemd, einen Smoking. # 99;

[6] Den Dokumentarfilm zum Konzert drehte Mel Stuart, in dem aufgrund von gesetzlichen Differenzen mit Metro-Goldwyn-Mayer (die den Film herausbrachten) und man bis 1976 den Soundtrack nicht in anderen Filmen verwenden durfte der Auftritt von Hayes zensiert werden musste.